Adam Bernstein’s review published on Letterboxd:
All the brilliance of Baker's playwriting is there on the screen -- long pauses and all -- but was pleasantly surprised by how sophisticated she is visually already. Some really astounding compositions in this.
Felt like I was gonna love it even more for the first forty mins or so... while it's still very good after that, to me the later vignettes aren't quite as compelling as the Wayne stuff.