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This review may contain spoilers.

I've delayed watching this for the last several days and only now I see my error in neglecting this sweet and almost sentimental film. There's not many aspects that can be dissected in a merely brief manner.

Regrettably I currently cannot arrise the level of required motivation in analyzing October Sky in of effectively discussing about the detriments such as it's bizarre developmental problems with Homer's parents, one obscure friend of Homer and I believe he's named Sherman but I could be mistaken. Also, those deceptive encounters with Dorothy was just a waste of time, my point only feeling compounded ultimately by how she never was important or meaningfully weaved throughout but rather stole possibilities for perhaps more interesting aspects like how the Union's strike ended laughably quickly and........what was I criticizing again?

Okay despite my rambling, this is an extremely inspiring and relatable movie that allowed me to enjoy myself. There's not much to say on my end, watch it and feel amused whenever Mr Ditkovitch assists young Mysterio.

This is some shit I'd religiously listen to during my depressed phase of middle school daily ridicule.

"It's like we released a panther."
Mike Wazowski, 2002

Hold up...MY BELOVED WILLEM DAFOE STARS IN THIS MOVIE??? How come none of y'all ever informed me regarding that previously unknown and bizarre fact?!

In spite of bizarre screenwriting, directorial, and composing decisions sprinkled throughout the film's runtime, the overall presentation seamlessly displays a satisfying semblance of potency and authenticity. It's a weird acclamation from me, considering how I'm not familiar with the original work of the same title.

Where else could I express congratulatory feelings without mentioning Leonardo's charismatically ambiguous role as the titular Gatsby. His moments of persuasion, mystery, camaraderie with Tobey Maguire's character including the central cast, and rageful outbursts all maintain a deliberately diverse range of emotions that makes it particularly hard to pin down just what he is thinking for the majority of the film's runtime.

I'm very gracious that my social studies teacher decided to generously donate multiple movies after class nearing the year's end. The reason being that it's enabled other potentially positive cinematic experiences. I'll see The Aviator later this evening, hopefully Leo won't end up drowning as the cause or accessory to his character's demise.

How do I get across without the liberals crashing out on me here? Sorry but the trans ideology always seemed somewhat manipulative and the dehumanizing aspect is only compounded by questioning how you are objectively born as.

I'm trying to be extremely sincere and sensitive, however, aside from its stunning animation and acceptable usage of schmultzy messaging in of revealing yourself to potentially find acceptance, this short film does not in any way convince me that the whole strenuous process is justified or safe mentally and physically.

Oof, that scene between Amleth and his mother nearing this film's end was very...uncomfortably unnerving and also kinda felt forced.

In spite of my highlighted detriment and among a several other pessimistic issues, THE NORTHMAN is a harrowing, compelling tale following a man's resolve to seek vengeance for his father and kingdom in which seamlessly invested me. Not just because of the pride I hold in my viking roots, but also the endlessly engaging setting, script, costume design, and acting from our central cast.

SERIOUSLY, WHY IS EVERY SINGLE SKARSGARD OFFSPRING AND RELATIVE SIMPLY FANTASTIC IN EVERY ROLE AND REGARD?!

Where do I even begin? Critical Drinker was the mind behind this adapted production, he is regarded as a shallow minded "critic" whom infamously uses hypocritical conservative viewpoints whilst disregarding the cinematic elements that are welded together during real feature productions. These alluded elements being LITERALLY EVERY ASPECT aside from identity politics and critiquing "the message".

I'm rather embarrassed to it that I've indulged his sexist and prickish antics during my marvel/Star wars affactuation. I thus exponentially developed a similarly shallow conservative mindset, thereby alienating any true cinema enjoyer. This now repulsive personality has coincided with my obsession regarding marvel/star wars films and I viewed these titans as "woke and hateful towards men" in a non constructive or sensical manner.

Despite still resonating with REPUBLICAN (essentially conservative but more agreeable for a lack of better words) views and beliefs—as many have noticed and digested throughout my letterboxd tenure—my opinions in relation to forms of media are objective and truly critical. It's a true juxtaposition from how much of a fanatic The Critical Drinker had transformed me during a point in time where I was impressionable, young, vulnerable, and ultimately oblivious to real, sincere, genuine criticism.

The moral I'm trying to get across is to create an objective and/or fair judgement behind ambiguous pseudo charismatic adult incels. Also I must reiterate, don't revere another person's views as gospel unless they align with hopefully already formed personality traits...also cast this fake and shallow asshat to the shadow realm!

Happy veterans appreciation month everyone!
😁🇺🇸

This review may contain spoilers.

"I want your stories. And I want your songs."

I understand that Remmick as a villain has received an immense amount of praise regarding the characters depth, nuanced symbolism of Irish discrimination, and his inexplicably sincere intentions despite the way he follows through to be misguided. Don't worry, I'm also a lover of these characteristics. However, why isn't more of the overall conversation on how good ON THE ROCKY ROAD TO DUBLIN IS?!

The Irish percentage within me had to be subdued in the theater but it still caused my legs to react and jitter in beat to the music!!!

Then off to reap the corn
And leave where I was born
I cut a stout black thorn
For to banish ghosts and goblins
A brand new pair of brogues
To rattle over the bogs
And frightened all the dogs
On the rocky road to Dublin
One, two, three, four, five

Well, in the merry month of May, from me home I started
Left the girls of Tuam were nearly broken-hearted
Saluted Father dear, kissed me darling mother
Drank a pint of beer, my grief and tears to smother
Then off to reap the corn, leave where I was born
Cut a stout black thorn to banish ghosts and goblins
Brand new pair of brogues, rattlin' over the bogs
And frightened all the dogs on the rocky road to Dublin
One, two, three, four, five

Hunt the hare and turn her down the rocky road
And all the way to Dublin, whack follol le-dah 🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪🇮🇪

Watched on Saturday May 31, 2025.

The bisexuality and Chuck Norris jokes were actually very funny.

How does that face function properly considering the time it was created? We may never fully understand but it's not required for me to know as I'm currently writing this.

The part when the monkey people evaporated was rather amusing and creative I'd imagine given how technically innovative this whole short film was back in the far past.

This review may contain spoilers.

Goddamn you Quentin, if you weren't just such an expert in weaving nonlinear sequences together in a manner that could be processed naturally I'd inflict that same pain Donny (the bear jew) thrust upon Hitler at the end of this movie for wasting my time. Truly a life saving boon.

(For readers who already are begining to dial 911, my threat was only for an intended joke, ultimately a crass one at that ittedly. I also must apologize for my rather inconsistent review schedule as of late. Consider this my way of saying I'm back to primarily focusing on basic yet essential consistency!)

I'm writing this mere minutes after my initial viewing, all I can express is that crying from a piece of media requires a significantly strong creative vision nearly unparalleled in comparison to other artful expressions.

I would be inflicting upon every cinephile and Ghibli animator from the past and present alike a disservice from explaining spoilery plot and/or character details. My recommendation cannot be understated, words befitting a film unworthy to be seen by this world's impure eyes.

The cruel fact big hero 6 won the best animated feature Oscar appalls me considerably.

"Life is suffering. It is hard. The world is cursed, but still, you find reasons to keep living."

Hayao Miyazaki is in a word, inspirational. The way he orients audiences seamlessly into wildly creative worlds perfectly embodies my description.

I went in completely blind aside from understanding this film's elements were used as inspiration by the team behind Legend of Zelda Breath of the Wild and now I fully understand why. I'd also find reasons to integrate a Kodama iteration into my work of art out of a cute aggression rush, but I digress.

Miyazaki also completely and utterly assures audiences that his films will be primarily his creative vision of artistic expression. Thus causing him being looked upon as one of the most innovative figures in the animation industry and that irable feat has and especially as of late fascinated me.

If anyone has noticed by now, my review contains more of an acclamation towards Hayao Miyazaki and more so towards Ghibli as a whole despite minor problems I've detected in this first watch. The reason behind this rare format I undergo is simply that I want you all to seek Princess Mononoke and allow the visceral, heartwarming, awe-inspiring, enthralling story to envelop you and never let go.

This review may contain spoilers.

Final step towards Mission Impossible The Final Reckoning

Holy shit man! Although this installment may be my favorite entry yet, I actually prefer the espionage format along with learning how our band of compelling characters tick, despite us getting that ladder aspect in spades.

Aside from those minor grievances, Dead Reckoning Part 1 feels like a true action tour de force only rivaled by the likes of my beloved Indiana Jones and The Last Crusade. Of course the action set pieces are fantastic, everyone discusses that point, so allow me to gush about a different element for a change.

Like I previously alluded, these films surround our Ethan Hunt action hero with compelling confidants for a greater camaraderie to be explored. Grace and her realistic criminal background intersecting with a harrowing plot of artificial intelligence penetrating worldwide systems across powerful organizations shouldn't work. However, this whiplash for her established experiences and eventual comeuppance at the end was ultimately satisfying, causing me to therefore speculate how her ending will result in.

I'm only just now realizing that my acclamation should stop now before I start alienating readers with obnoxiously long paragraphs. I think I've actually talked myself into appreciating this ever further, okay I'll bother y'all later.

I totally didn't watch this short film so I'd deter the possibility of no published reviews today because Mission impossible Dead Reckoning is nearly a three hour movie which would inadvertently bleed into tomorrow...totally.

Road to Mission Impossible The Final Reckoning

I'm not fully capable of understanding how many people have proclaimed Fallout to this degree of Shawshank levels of respect on the action genre. Despite the significantly less engaging story in comparison to the last 3 installments however, that third act left me essentially breathless and craving even more.

Although this additional link contains a considerable amount of derivative qualities I won't disclose, the action, greater suspense during said action, Henry Cavill's additional acting strength boosting that aspect specifically, and fantastic writing all contribute to a more then worthwhile entry in this espionage masterclass!

(Sidenote, I miss y'all's comments, I'm not going to insist much further. However, I feel as if my reviews are being received by brick walls, perhaps I'm just paranoid...that's a viable possibility.)

Road to Mission Impossible The Final Reckoning

To preface, I initially intended on reviewing this movie yesterday but my stamina in of staying awake until midnight was diminishing rapidly. Although I did that just now but let's not worry about that!

Aside from my rambling not related to this movie, it's not as masterfully formulated as the prior, but good grief Rogue Nation is so invigorating and furthermore heartwarming formed solely by Ethan and Benji's friendship.

Rebecca Ferguson's (I'll borrow schaffrillas's word usage) "Something about the subdued nature of Rebecca Ferguson's performance made her character a bit hard to emotionally connect with, which resulted in this story not drawing me in quite as much." If my earnest actions cause any communal discourse, grow up.

Sean Harris and his performance as our new imposing Syndicate villain was very notable with an understandable yet morally incorrect motivation. Seriously, how can a film seamlessly thread that nuanced needle while creating some British asshole?

I'm now rather exhausted and delving deeper into my current "time crisis" so I'ma head to bed finally.

This review may contain spoilers.

Road to Mission Impossible The Final Reckoning

BRAD FUCKING BIRD YOU GENIUS! Without even elaborating on how intense Tom Cruise's notorious scaling of the real Burj khalifa, this film's brilliant usage of creative espionage is an aspect in which gets too easily disregarded. In all seriousness, Ethan Hunt and Benji infiltrating The Kremlin and how they utilized technology to pose some form of hologram mind illusion left me goddamn impressed and engrossed! Those could be applied to my reaction throughout this entire film actually.

Ultimately however, this isn't a flawless piece of cinema, the detriments in question would have to be classified in how the pacing sputtered in several areas while coinciding with one majorly implausible easy out the script took.
(Yes, I'm going to be vague so individuals who have seen the film are allowed to speculate for themselves on what I am currently alluding to.)

In spite of the questionable elements, MI4 is definitely a new favorite of mine in this franchise and soon I'll be re-experiencing rogue nation as these mission perhaps become more and more... impossible.

Goodnight, I'ma fall into my long awaited slumber now.

I don't get how people cry to this movie. Perhaps I'm just unintentionally resembling Noah Calhoun in of being emotionally detached after an encounter of seemingly unrequited love. He is literally me.

Paul Finch's speech is a scene that deserves to be studied and every man's necessary daily inspiration.

There is no way this film could be made in today's social climate currently infested with Petty and Pathetic Cancel Culture Puss Syndrome or PPCS for short. That, in my eyes, is a shame because our world requires another American Pie esque franchise to bring out the real men back into the world.

Steve Stifler is an asshole as well to be fully transparent.

Road to Mission Impossible The Final Reckoning

Okay, this may be an overhated installment within the franchise, but Lindsey's message sending at exactly the moment for this plot to function is so incredibly dumb and convenient.

Also yes, Seymour Hoffman is of course an alpha male to ire towards kids.

This review may contain spoilers.

As a straight male, this was...I guess somewhat interesting. The nun storyline felt unnecessary ultimately. If you want to watch this "film" Firefox or YouTube would be the primed options.

I also suffer from social ineptitude Caleb, you'll overcome this one day king.

This review may contain spoilers.

Road to Mission Impossible The Final Reckoning

Besides Ethan and Luther's satisfying returns, literally everyone else is either forgettable or lacking a charismatic/serious urgency as their own character within the narrative. This installments villain isn't even that great with convoluted, almost generic motivations in which I didn't care that much.

The car tango scene towards the begining resulted in me just cringing from just how unnecessarily serious the film took that moment. Actually, Ethan and Nyah's romantic relationship in general was an aspect that I never took seriously even back when I watched these roughly 2 years ago. Mediocrity permeated each moment meticulously but there was enough cool action for me to be invested somewhat.

Sidenote, I've seemingly negated to mention how creatively genius it was of Letterboxd to implement a Mission Impossible effect when reviewing one of its respective films. The iconic "this message will self-destruct in 5 seconds" and "you're actions will be disavowed" but referring to ones current review before Ethan Hunt saving the progress is inspired.

Road to Mission Impossible The Final Reckoning

As an enthusiast, I was disappointed with that helicopter explosion at the end. 😭

Despite specific romantic plotlines not feeling necessary and pacing slightly questionable in a few areas, THAT FUCKING SCENE AND YOU KNOW THE SCENE CAUSED MY SOUL TO START LEVITATING FROM IT'S MASTERFULLY CONSTRUCTED AND SHOT SHOWCASING OF MUSIC AND THE CONCEPTS IMPACT!!!

Miles Caton has a bright future in the acting world, especially if this debut served merely as a supplement to what he can accomplish in the future.

This is so tragic and hysterical at the same time, Rob truly feels like an enigma of a human.

This review may contain spoilers.

"Let Neptune strike ye dead Winslow! HAAARK!
Hark Triton, hark! Bellow, bid our father the Sea King rise from the depths full foul in his fury! Black waves teeming with salt foam to smother this young mouth with pungent slime, to choke ye, engorging your organs til’ ye turn blue and bloated with bilge and brine and can scream no more -- only when he, crowned in cockle shells with slitherin’ tentacle tail and steaming beard take up his fell be-finned arm, his coral-tine trident screeches banshee-like in the tempest and plunges right through yer gullet, bursting ye -- a bulging bladder no more, but a blasted bloody film now and nothing for the harpies and the souls of dead sailors to peck and claw and feed upon only to be lapped up and swallowed by the infinite waters of the Dread Emperor himself -- forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea, for any stuff for part of Winslow, even any scantling of your soul is Winslow no more, but is now itself the sea!"

This monologue left me trembling, it was an expertly shot monologue which felt so layered yet utterly specific that it fully convinced me that Willem Dafoe wasn't even human anymore...perhaps he manifested to a sea demon, or perhaps even possessed by one...or maybe HE WAS THE PERSONIFICATION OF MALICE ITSELF!

This review may contain spoilers.

This felt the most marvel esque, there's even a SHIELD wannabe who's named GI Joe... whatever it's definitely better then any other transformers movie. With that... I'M FINALLY FUCKING FREE OH MY GOD!!! YES! YES! YEEEEEEEEEEEEEEEEESSSSSSSS!!!!!!

This was peak at the beginning but it ended up getting worse towards its ending. However, Bumblebee is without a doubt the greatest installment in this farce of a franchise.

I just looooooove when franchises resort to contorting history for their uninspired and convoluted plots DON'T YOU?!?!?!?!!?!!

This review may contain spoilers.

This rewatch granted me a better look into each character and actor's performance. One poignant moment that I've gained greater understanding behind the implications was during one of Terrance's best moments. This alluding to our main antagonist expressing natural, genuine, unexpectedly emotional distress relating to his past student's late death. Whom we actually find out was a suicide, that on any man's conscious would change someone for the worse or better.

We as the audience are truly enabled to connect with him, primarily because there is still humanity within every word delivered by J.K. Simmons. These reactions surface despite the intensity permeating throughout previous interactions.

However—after Terrance acknowledged of his own vulnerability getting revealed—he begins to transfer that sadness into a furthermore cruel quota out of Andrew. This deliberate...WHIPLASH (sorry not sorry) has piqued my interest without a full understanding until now. How in the fuck does this film get better over multiple experiences? Perhaps next time I'll dissect different masterfully constructed aspects including but not limited to it's music, acting, that final scene which easily overpower any superhero action set piece, and etc.

Michael Bay...just go, fuck off from this plane of existence you goddamn failure. You're movies are not worth my time or state of mind for numbing.

This review may contain spoilers.

Awww, this garbage attempted an emotional betrayal that elicited no reaction out of me, cute.

This review may contain spoilers.

How can only 2 jokes throughout an entire movie cause me to chuckle apathetically? I'm not over exaggerating when I express that the screenwriters for these movie's genuinely embody the mind of a 12 year old edgy pre-teen.

You already know what other aspects people have come to hate. These include a charismatically inept central cast, bloated runtime, mindless yet stimulating action that end up leaving me bored somehow in my case, UNFUNNY JOKES, TERRIBLE CLICHES, DULL VILLAINS, FORGETTABLE CHARACTERS AND INSULTING EXISTENCE.

I guess this was fine? It's comic style is actually well drawn and the voice acting felt in tune with the set expectations. It's still kinda whatever ultimately, the ending also felt abrupt which fits yet I wanted something better constructed.

"Bumblebee, stop lubricating the man."
Optimus Prime, leader of the autobots.

Emilia Perez? Well, Johanne Sacreblu is an ironic clusterfuck and misappropriation in response to that other movie's intentional/deliberate alienation.

Therefore, as someone who never had the displeasure of sitting through that infamous clusterfuck, I'll simply rate this as a masterpiece because Emilia Perez can go suck itself.

(I did mean to put the term suck there, it's use is directly for comedic effect for the people who don't understand. My explanation is totally not formulated to waste time...so with that, allow me to just sing for you...

"Let's get down to business, to defeat the Huns
Did they send me daughters when I asked for sons?
You're the saddest bunch I ever met
But you can bet before we're through
Mister, I'll make a man out of you
Tranquil as a forest, but on fire within
Once you find your center, you are sure to win
You're a spineless, pale, pathetic lot
And you haven't got a clue
Somehow I'll make a man out of you
I'm never gonna catch my breath
Say goodbye to those who knew me
Boy, was I a fool in school for cutting gym?
This guy got 'em scared to death
Hope he doesn't see right through me
Now I really wish that I knew how to swim
you must be swift as the coursing river
(Be a man) with all the force of a great typhoon
(Be a man) with all the strength of a raging fire
Mysterious as the dark side of the moon
Time is racing toward us, 'til the Huns arrive
Heed my every order, and you might survive
You're unsuited for the rage of war
So pack up, go home, you're through
How could I make a man out of you?
you must be swift as the coursing river
(Be a man) with all the force of a great typhoon
(Be a man) with all the strength of a raging fire
Mysterious as the dark side of the moon
you must be swift as the coursing river
(Be a man) with all the force of a great typhoon
(Be a man) with all the strength of a raging fire
Mysterious as the dark side of the moon"
"Totally original song concept, Cinephilic Delights©🟠🟢🔵."

This review may contain spoilers.

There were many ideas good on paper yet it's excecution didn't capitalize effectively. Linda Hamilton was actually great and portrays the jaded, drunk, gruff action hero return in a more natural way (albeit desperate).

Arnold was utilized in the best way since T2, although that bar is as high as a toddler's height. The villain felt very boring and derivative in of Judgement days impeccable T-1000's abilities.

I'm gonna be quite frank, these visuals sucked complete ass. The CGI simply felt repugnant and was ultimately displeasing to digest constant gray action sludge through my eyes.

To summarize, if a bit indulgent, this franchise SHOULD have ended with T2. However, if Dark Fate was a required production, I'd have much rathered a fine tuned version over every other uninspired, disrespectful, self-destructive modern Terminator sequel.

I genuinely don't know where to begin.

This movie is so generic and unambitious and boring that even the tagline states "The end begins". If that doesn't point out the present mediocrity, I don't know what will aside from the boring as sin story, grey/muted colors which result in an experience that isn't really enjoyable or exciting.

Also Christian Bale is such a baffling miscast in this film, this iteration of John doesn't even have any real traits to latch onto which felt so unengaging. That sentiment could be compared with the entire movie actually.

I've yet to watch an irredeemably shitty movie in this franchise. I'm not going to hold out as open a mind for Genisys though. Overall, I'd have much rathered James Cameron ensure these products never get manufactured instead of prioritizing his life's dedication to the sauceless avatar movies.

Chances are, you've already heard all the critique's about this film. The CGI is noticeably worse, the action feels less inspired than it's preceding films, the Terminatrex is objectively worse in regards of acting intimidating with a sad dash of only above average acting across the board.

Also, this installments aspect of unnecessary comedy was a con which couldn't really be overcome effectively.

Even with all of that standing against it, Terminator 3 is watchable and stuff. These movies I imagine will only get worse however, and that instills nothing but dread considering today's schedule.

Sidenote, I forgot just how cringe the movie's hopes were in trying to deliver more iconic Arnold Schwarzenegger lines. My least favorite of these being "talk to the hand" as well as "you are terminated". Although these work on paper, ultimately it was never TERMINATED exceptionally!

That was a joke on par with Terminator 3, my apologies.

I had to bump up the score primarily due to the clear nonchalant yet hilarious tone in these zoo workers.

I'm aware of the clear lacking of Terminator logs, but...I've already watched so many action films in a row that now apathy has filled my being. I'll get back to the rapid logs because my rejuvenated priorities are now once again alive.

Soon enough I'll continue to watch terminators remaining films, start Transformers and it's respectable franchise, and finally re experiencing each Mission Impossible installment in order to prepare for Dead Reckoning Part 2.

My favorite description that I've seen for this would easily have to be where someone stated "The Martian is an unintentional Tom Hanks movie where it's Hankless." Yeah, that's all folks.

Greatest 20 frames/ 1 or so seconds of cinema. It totally deserves all of it's justified hype...okay these are done-WHEEZE! 😂

Decent music I suppose, that's really this film's saving grace.

Well...I did digest what I've been pitched to so there's some points must be given for that consideration.

The action franchise where it stars Tom Cruise who just runs and nothing else, believe me.

1. Mission: Impossible – Dead Reckoning
2. Mission: Impossible – Ghost Protocol
3. Mission: Impossible – Fallout
4. Mission: Impossible – Rogue Nation
5. Mission: Impossible III
6. Mission: Impossible
7. Mission: Impossible II

Why did most of my transformer reviews hardly contain substance? That reason because since inception, the Transformers IP was formulated with no substance in mind.

1. Transformers: Rise of the Beasts
2. Bumblebee
3. Transformers: Beginnings
4. Transformers
5. Transformers: Dark of the Moon
6. Transformers: The Last Knight
7. Transformers: Revenge of the Fallen
8. Transformers: Age of Extinction

The decade where cinema's first real considered movie is included, therefore, of course it's peak.

• Roundhay Garden Scene
• The Kiss
• Horse and Rider Jumping Over an Obstacle
• Accordion Player
• Man Walking Around a Corner
• The 1882 Transit of Venus
• L'Homme Machine
• Traffic Crossing Leeds Bridge
• Hyde Park Corner
• Brighton Street Scene

...plus 1 more. View the full list on Letterboxd.

This was only (roughly) 10 minutes of just repetitive music and entailed a repetitive nature for the most part of it's duration. High recommendation across the board for pity logs.

• Le Fumeur
• Le Rotisseur
• age of Venus
• Les Papillons
• La Balançoire
• Le Trapèze
• Le Jeu de Corde
• The Aquarium
• Les Deux Espiègles
• Sallie Gardner at a Gallop

...plus 17 more. View the full list on Letterboxd.

"There is no fate, but what we make for ourselves."

1. Terminator 2: Judgment Day
2. The Terminator
3. Terminator 3: Rise of the Machines
4. Terminator: Dark Fate
5. Terminator Salvation
6. Terminator Genisys

These are what you watch to endure an entertaining, swashbuckling adventure with Johnny...at least the trilogy exhibit those descriptions honourably.

1. Pirates of the Caribbean: The Curse of the Black Pearl
2. Pirates of the Caribbean: Dead Man's Chest
3. Pirates of the Caribbean: At World's End
4. Pirates of the Caribbean: Dead Men Tell No Tales
5. Pirates of the Caribbean: On Stranger Tides

This shattered all previous expectations, and not in the positive sense.

1. Rambo III
2. Rambo: First Blood Part II
3. First Blood
4. Rambo: Last Blood
5. Rambo

I actually forgot to make a ranking for this after my last review of the franchise, woops.

1. Rocky
2. Rocky II
3. Rocky III
4. Rocky IV

These movies are alike to mad max in one aspect, there's one movie that is a complete shit show.

1. Die Hard
2. Live Free or Die Hard
3. Die Hard With a Vengeance
4. Die Hard 2
5. A Good Day to Die Hard

Sorry, but I'm not watching the show or movies. I completely doubt there is a justification for me to do so.

1. Thin Watermelon
2. The Web
3. Love and Cameras in America
4. Morning Walk
5. Once A Year
6. Even the Best

It's almost a complete whiplash how much better Keanu is here than in The Matrix.

1. John Wick: Chapter 3 – Parabellum
2. John Wick: Chapter 2
3. John Wick: Chapter 4
4. John Wick

Monkey

1. Rise of the Planet of the Apes
2. Dawn of the Planet of the Apes
3. War for the Planet of the Apes

This trilogy is simply so boring to watch and gets extremely hard to watch or anything afterwards

1. The Matrix Reloaded
2. The Matrix
3. The Matrix Revolutions

One trilogy here got better as it went on, and the other was a complete opposite that will never be watched in good faith again.

1. The Lord of the Rings: The Return of the King
2. The Lord of the Rings: The Two Towers
3. The Lord of the Rings: The Fellowship of the Ring
4. The Hobbit: The Desolation of Smaug
5. The Hobbit: An Unexpected Journey
6. The Hobbit: The Battle of the Five Armies

Animation alone is an art form, but if someone is truly ionate about formulating a compelling story. Then we as an audience could possibly witness the birth of a new animation prospect of the ages.

1. Lackadaisy
2. Hazbin Hotel
3. Helluva Boss

It was something I couldn't refuse guys.

1. The Godfather Part II
2. The Godfather
3. The Godfather Part III