Synopsis
The Worms are Waiting!
A rich, mentally-unstable man—with a penchant for playing deadly S&M games with women who resemble his dead wife—sparks off a chain of bizarre events after getting remarried.
A rich, mentally-unstable man—with a penchant for playing deadly S&M games with women who resemble his dead wife—sparks off a chain of bizarre events after getting remarried.
Stumme Schreie, Evelyne est sortie de sa tombe, L'Appel de la chair, Die Grotte der vergessenen Leichen, La noche que Evelyn salió de la tumba, Ночью Эвелин вышла из могилы, 鬼妻墓中来, Az éjszaka, amikor Evelyn kikelt a sírból
A very amusing movie that I had seen once before. A twisted character with a torture dungeon, a stripper act involving a coffin and plenty of nude redheads. It seems quite silly at times but still is entertaining. If this sounds like something that my interest you it is available on Shudder.
Spooktober IV: Morte all'italiana
Despite the relative small filmography of Emilio Miraglia's, his two contributions to the horror genre are among the finest that Italy has ever produced. And, while it may not be as memorable as "Red Queen," it still manages to provide some amazing (psychological) thrills and visuals towards the end, as shown in the poster, that may leave an enduring impression on spectators - despite being shorter than I anticipated. The film's stunning, glossy cinematography, along with its excellent production design and Bruno Nicolai's score, create a surreal atmosphere that complements and emphasizes the psychological elements of the story. The film is also notable for its successful blending of traditional gothic horror with a few hints of…
An insane lord who lives with his wheelchair-bound sister in an old castle with a morbid torture chamber, a cage full of foxes in the garden, apparitions of the dead wife, lots of fog, crypt openings at night, an abstruse plot, lots of twist & turns, great visuals - that's the stuff Italian (cinematic) nightmares were made of in the 70s.
"The Night Evelyn Came Out of the Grave" is an interesting movie that takes its protagonist on a long, painful journey through his worst nightmares. You can experience exciting, aesthetically wonderfully captured processes here that are very well filled with life by the actors.
This is a fun, twisted little giallo that I haven’t seen in years. I had forgotten how many surprises there are in the story. Things I love include that Erica Blanc go-go dance that doesn’t even seem to match the accompanying music, that swinging early 70’s pad with the spiral staircase that has what appear to be fur covered steps, and that entire beautifully bananas last 10 minutes. Things I could do without include Marina Malfatti’s afro wig (I really love her but everybody knows Nieves Navarro is the wig queen), the entire house staff sporting blonde perms (creepy ass Servants of the Damned mess right there...also that could be its own great movie) and the way that bitch did those adorable foxes.
Great cast, crazy story, beautiful estate, and plenty of awesome 70’s fashions. Ultimately, I prefer Miraglia’s companion giallo, The Red Queen Kills Seven Times, but this one is pretty damn entertaining.
Saw this years ago and I seem to that it wasn't that good but I don't know why because having just just seen it again, I have to say that it's pretty great! The film is often lumped in with the Giallo genre but the plot takes influence from across the Eurocult spectrum! So it's a bit of a mess, but the key is not to watch it for the plot, watch it for the style and atmosphere which are amazing. Director Emilio Miraglia has such a good eye, what a shame he didn't make more films! The central castle location is very well used and the film utilises a number of bizarre elements to create one big slice…
“A lot of men like strange games.”
Men will literally lure redheaded lookalikes of their cheating dead wife to their sex dungeon for for sadomasochistic murder instead of going to therapy (or more specifically, keeping their ass in the gated psychiatric facility next door). Instead, they marry a blonde. Spoiler alert: it doesn't take.
Dude’s masculinity so fragile that just seeing his wife fucking another man in the bucolic meadow (wonderfully scored by Maestro Bruno Nicolai) drives him to madness. Twisty, giallo fun. A sort of Bloody Pit of Horror meets Agatha Christie family inheritance meets diabolical gaslighting—but with way more erect nipples.
I still prefer Miraglia’s other macabre, but more cosmopolitan, giallo, The Red Queen Kills Seven Times. Although…
Well Eveleyn certainly came out of her grave, not to mention out of her clothes too! Like a disorienting haze this gothic tinged giallo mind twister absorbs you into it's web of hypnotizing style and confusing campy carnage. A film that is simultaneously slick and polished while also maintaining an unhinged energy due to it's convoluted storylines and clumsy supernatural themes.
It's a matter of style over substance as the visuals and moody atmosphere are the highlights here. Like being transported into a 70s kaleidoscope the swanky fashion and lavish settings absolutely pop off the screen. That fur spiral staircase was nuts! And it's not the 70s without several scenes of slo motion nude running!
I preferred the overall intensity…
💧Daily Horror Hunt #22 – April Horror 2020💧
9. Watch a film from your favourite horror genre.
😈HORRORx52 (2020)😈
44. Killer Horror (Slasher, Giallo, Home Invasion etc.)
I don't care what genre this falls under, any movie loaded with crypts, castles, spooky seances, ghostly portraits, kinky torture dungeons, black gloves, briefcase snakes(!?), a skull-faced Evelyn, and no less than 3 twists on the ending is the genre for me! The cover alone... it just speaks to me.
Alan Cunningham (Anthony Steffen) has recently lost his redheaded wife Evelyn to mysterious circumstances after catching her having an affair (in the garden), so now every red-maned hooker within a ten mile radius must become a victim for his revenge. Sure, why not?…
For me, The Night Evelyn Came Out of the Grave is too slow to be compelling, and not pretty or sleazy enough to make up for it. There are gestures toward the the latter, certainly, with mentally ill Eeyore, I mean Alan (Anthony Steffen) and his penchant for murdering red-headed sex workers in his torture dungeon, but since Alan takes no joy whatsoever from either the act or the deception, the sleaziness just falls to dust in our once-hopeful hands.
The film checks important giallo boxes of naked chicks, crosses, double crosses, and a whole slew of irredeemable characters, but none of them are either alluring or sympathetic enough to keep our attention and, before the movie is halfway over,…
Giallo Deep Dive #5
Just to clear things up, this movie, despite its lurid title (and poster) is not a supernatural tale. It is actually a twisty giallo-type thriller with plenty of gothic trimmings.
The protagonist (Anthony Steffan) has to be one of the least sympathetic leading men in cinema...initially. As the twists begin, the viewer may find themselves rooting for him, despite the strong possibility that he may be a sadistic serial murderer. I liked him because he is a rugged type who strongly resembles 70s schlock movie actor William Smith....but the story itself takes us on a labyrinth of developments and after awhile, it is impossible to know anyone's character or allegiance. The ending features a rash of…
My American version by Mill Creek is about 20 minutes shorter than what is listed here having a runtime of about 82 minutes. As for the film itself it seemed to move quite slowly all the way into act three. Act three was notably the best third of the film as the stage was set for a half-way competent serial-killer flick at that point. My praise isn't as high as the average here, however, as even with the kills and thrills of the last act I still found this one to be under-whelming in the end. I might've scored the full version higher, but as is I'm cofortable being on the lower end of reviewers for this one. It seems appropriate that it's part of this Mill Creek 50-pack in my opinion.
The Night Evelyn Came Out of the Grave is a seedy, entertaining pulpy genre mash up. At its core it's fundamentally a classic Giallo murder mystery, but with the added distinction of being wrapped up in the visual style of a Gothic horror. Visually (especially the Arrow blu-ray) it's fantastic to look at. Having the extra visual flair of the Gothic setting adds another layer to an already brooding atmosphere. Seeing a Giallo play out in a medieval castle that you'd usually associated with a Vincent Price film is a lot of fun.
The film also has a pretty solid murder mystery story; even if it gets a bit out of hand in the final act, with multiple reveals that…