An unashamedly earnest film—one both learned and ebullient—that is neither overly-sentimental nor cloyingly reverent; an easy choice for a Top 5 Spielberg picture that continues to improve with time and repeat viewings; far too quickly dismissed by boorish ignorami and des critiques de cinema steeped in the pernicious irony of 21st century online discourse; some of the absolute best work from Spielberg, screenwriter Tony Kushner, editor Michael Kahn, and cinematographer Janusz Kaminski in the last two decades, both individually and…
