Grim reaper was on his Olive Garden shit: “when you’re here you’re FAMILY!”

I swear Nolan traveled through Space and back to teach us puny humans the intergalactic power of love. Hits different after experiencing loss and dreading the age of time, especially when you’re watching it in the same IMAX screen as you did your first time around a decade ago. Truly an unreal experience unlike any other and probably my favorite Nolan film ever.
Sanders truly has an affinity in studying creatures beyond their natural habitat trying to find a place to call home, done in many ways to make me sob. It’s Present in every feature he’s done. Thus what makes him an auteur filmmaker and storyteller and this one of this years best pictures.
Dont think I can go to that 4.5 area cause that climax antagonistic threat bothers me, despite Stephanie Hsu serving bad bitch bot. But then again seeing Roz…
A phenomenal, cerebral, enraging portrait of the Black experience in the Jim Crow south. RaMell Ross’ 1st person POV style goes beyond with bold editing and period spanning storytelling. I’m speechless and need to scream into a void.
Also: i’m like of four Black people in this awards screening and Q&A rn and ngl, I feel crazy. Don’t let a white dude look at me in the eye today.
Gonna need to give my rating long after I parse my rage and distressed emotions.
A better Irish love letter of a movie than BELFAST and the best music biopic of the 2020s. Truly sets the bar so high, next to Rocketman. It’s like Straight Outta Compton in the stylish way of Trainspotting. So many Boyle-isms here as if it’s ashamed of the biopic conventions and finally gave it a shock to the system.
Right when the band addresses how hip hop gave Black people a voice and how they intend to do the same against the Brits, I instantly adopted them like the country did to Ayo.
And if I start saying “my nigga, the Irish,” what then?!